NEWSBEAST TUMBLRS

4:47 PM, June 8th, 2012

nwkarchivist:

Remembering “Alien” And Anticipating “Prometheus”

Sprung from the gelatinous innards of an obscene egg on some far-off planet, a hideous, squidlike thing leaps onto the startled face of a hapless astronaut. Yuck!  What could be more basic than “Alien”? A crew of space travelers on a commercial mission picks up a strange organism on a remote planet and brings it aboard ship, where it disappears, metamorphoses and proceeds to eat our heroes one by one. 

Newsweek June 18, 1979

Check Out Our Flick Picks Review


Reblogged from Newsweek Archivist
2:16 PM, May 25th, 2012

Redditor daveysmith1984 asked Bill Murray for an autograph. This is what they got instead

3:19 PM, May 18th, 2012

popculturebrain:

Trailer: Hyde Park on the Hudson

Featuring Bill Murray as FDR.

Wow, BM shines. 

4:09 PM, May 16th, 2012
hitfix:

Bill Murray was in full effect at the Moonrise Kingdom premiere at the Cannes Film Festival. Never has more plaid been worn at a movie premiere.
Check out more photos of Murray and his co-stars,Tilda Swinton, Jason Schwartzman, Edward Norton, Bruce Willis and others.

<3

hitfix:

Bill Murray was in full effect at the Moonrise Kingdom premiere at the Cannes Film Festival. Never has more plaid been worn at a movie premiere.

Check out more photos of Murray and his co-stars,Tilda Swinton, Jason Schwartzman, Edward Norton, Bruce Willis and others.

<3

Reblogged from IFC
10:13 AM, May 3rd, 2012

Our awesome mashup of New York City destruction scenes! 

2:42 PM, April 17th, 2012

New promo for Ridley Scott’s ‘Prometheus,’ the ‘Alien’ prequel, featuring a creepy, robotic Michael Fassbender. Looks good. (h/t The Awl)

5:45 PM, April 6th, 2012

Director Gary Ross leaves The Hunger Games franchise! The Playlist reports that, rather than the issue being strictly a monetary one, Ross “evidently… liked the first book best.”

Head spinning! But let’s look on the bright side— a new director for the trilogy’s sequel, Catching Fire, could be interesting.

Vanity Fair reports that the series had some high-profile directorial suitors in the past, including Sam Mendes (Away We Go, Revolutionary Road, Jarhead, Road to Perdition, American Beauty), Rupert Sanders (Snow White and the Huntsman), and Francis Lawrence (Water for Elephants, I Am Legend, and… wati for it… Britney Spears’ “I’m a Slave 4 U” music video). Of course we can dream beyond this interesting trio as well.

Who would you pick to direct the rest of the series?

4:54 PM, April 4th, 2012

How did you end up writing a sequel to Drive?

One day my agent Vicky Bijur called. The producers were asking if there’d be a sequel to Drive. Of course not, I harrumphed—being an artiste and all. I hung up the phone and sat there with the image of a woman leaning against a wall, bleeding out. I wrote the first page and was hooked.

Apparently James Sallis, author of the book ‘Drive,’ has written a sequel.

Meanwhile, Ryan Gosling totes saved a woman from being hit by a taxi Tuesday evening. (Related: Ryan Gosling memes)

3:20 PM, February 28th, 2012

popculturebrain:

Watch: Wes Anderson’s Hyundai Commercials | /Film

With another through the link.

OMG, I should have known!

5:09 PM, February 27th, 2012
None of this year’s nine Best Picture nominees (The Artist, The Descendants, Extremely Loud and Incredibly Close, The Help, Hugo, Midnight in Paris, Moneyball, The Tree of Life, and War Horse) counted as dark, nihilistic, or shocking—like some of last year’s leading contenders, including Black Swan, 127 Hours, and Winter’s Bone. None of this year’s major nominees featured the overt left-wing political messages of other recent Oscar favorites like Avatar or Milk, and all of this year’s Best Picture possibilities took affectionate, admiring views of marriage, romance, family, and community, with Moneyball also honoring baseball and business, while War Horse glorified some of the same battlefield virtues depicted in Act of Valor.
Did last night’s Oscars celebrate conservative values? (Was that why they were so bad?)
11:43 AM, February 10th, 2012
As a result, viewings of Midnight in Paris on the big screen became events in the Smug Olympics of the urban iPad class, with audiences risking physical injury as they competed to laugh the loudest to demonstrate to all around that yes, they know who Gertrude Stein is. It was laughter directed at the audience itself, not at the screen. Laughing to show you get the joke. Or since there are no jokes, laughing to show you get the reference.
I discuss my bafflement at the Midnight In Paris phenomenon over at The Daily Beast (via richardrushfield)
Reblogged from Rushfield Babylon
5:18 PM, February 9th, 2012

“Every Wes Anderson Slow-Motion Shot, Set to Ja Rule.” Yeah, OK. (via @nfreeman1234)

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